“All men are not created equal.” Midoriya Izuku learns a pretty harsh lesson in the pervasive social hierarchy attendant to the flourishing of superheroics – namely, that the presence of Quirks (to him, at least) practically brought with it a new social status wherein people show fanatical devotion to those who utilize their newfound powers for good, and members of the younger generation work diligently to present themselves as worthy of taking up the mantle of superhero. My Hero Academia begins with a personal anecdote from Izuku’s perspective – he protects another boy from three others, led by the rather aggressive Bakugō Katsugi (who almost immediately shows the more pugilistic and judgmental side of a society now structured around superheroes). As one might imagine, the opening shots of Izuku being pummeled by Katsugi and his almost-sycophantic lackeys illustrate the low standing the Quirkless have in this new Japan; Izuku cannot physically protect himself from the trio’s attack, and the encounter leaves him with a pessimistic outlook on life. The two later meet in class, and this subsequent encounter further cements the social hierarchy that the seemingly sudden presence of the Quirks brought about; approximately 80% of people in the world have some sort of Quirk, leaving Izuku in the powerless 20% who can only watch as others go on to do amazing things. The image of Izuku watching the criminal Quirk-wielder on the elevated train tracks places the protagonist initially in the back of the gathered crowd; he finds himself among the rabble, who do not interfere when superheroes with unique powers track down and confront those who violate the law.